I wish that every human life might be pure transparent freedom - Simone de Beauvoir

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    Saturday, November 28, 2009

    The War Zone now available on Kindle




    The new, updated and fully revised 20th Anniversary Edition of my novel, The War Zone (written under my original/professional name, Alexander Stuart), is now available on Amazon Kindle for $9.99, and as a regular book from AmazonBarnesandNoble.com and other bookstores.

    A dark, ironic, emotionally-charged novel about incest, adolescent fury and parental morality, the novel won Britain's prestigious Whitbread Prize for Best Novel (now the Costa Book Awards) when it was first published, only to have the prize snatched away amid much public controversy when one of the judges politicked behind the scenes.

    Dubbed a contemporary Catcher in the Rye by Time Out magazine, The War Zone was turned into a powerful, multi-award-winning film by Oscar-nominated actor-director, Tim Roth, which premiered at Sundance and went on to attract great acclaim at film festivals around the world. (The film can be streamed from Netflix and is available on DVD through Amazon.)

    The new 20th Anniversary Edition is fully revised and updated and includes both the original British and American opening chapters, as well as an Afterword by Tim Roth, my diary of the making of the film, and an introduction that includes the striking prepublication letter that Anthony Burgess, author of A Clockwork Orange, sent me, along with his cover quote:

    "This is a pungent shocking book, superbly written (sharp, sensuous, bitter) which...presents the theme of incest...as a symbol of social breakdown. I was horrified but seduced from first to last. The writing is remarkable."

    For more information about the new edition, read Merrel Davis' excellent review of the novel at his blog, Uncompleted Works.

    The War Zone: $9.99 on Amazon Kindle, $14.39 from Amazon.com, $15.99 from BarnesandNoble.com, £12.49 from Amazon.co.uk and available from other booksellers.

    Sunday, November 1, 2009

    The Future of the Media Industry


    This article by Edo Segal from Yodspica Ltd Blog Group is without doubt the most intelligent and thought-provoking analysis of where the media industry must go that I have read.

    Apple did create something seamless and easy with iTunes and the suggestion that in a sense it is "alive," changing constantly and changing the way consumers think about media and applications (and fusing media and applications into one), is brilliant.

    This is the first piece I have read that actually proposes a real vision of the future, rather than merely lamenting that traditional media are dead. (Thanks to the power of Twitter for alerting me to this:)



    The Future Of The Media Industry

    by YODSPICA AUTHORS on NOVEMBER 1, 2009


    This post was written by Edo Segal.
    The prospects for the old media industry appear bleak, as the rest of the media industry follows the music industry into decline. Indeed in my discussions it is apparent that the smart money in Hollywood already sees the writing on the wall. While the trend will take longer, it is clear which direction the wind is blowing. The main lesson to learn is that the market will punish you if you don’t deliver the goods.
    Apple has created a media consumption experience that has reduced friction to such a point that soon the consumer will not know if he is buying music, a movie or a game. The notion of App is changing. The lines between these different forms of media are quickly blurring and soon will be completely artificial. Already these distinctions are merely fossilized conventions that stem from consumers’ discovery habits. As those evolve, like learning that it is easier to go to Amazon and search to find a product than going to aisle 9 at the store. The coming confusion of the consumption experience where a user won’t care or know if what they are buying is a movie, a game or a music track presents vast opportunity.
    But the entertainment industry has a vested interest in the success of this new type of convergence, as within it lies the secret to its continuing prosperity. The only way to block the incredible ease of pirating any content a media company can generate is to couple said experiences with extensions that live in the cloud and enhance that experience for consumers. Not just for some fancy DRM but for real value creation. They must begin to create a product that is not simply a static digital file that can be easily copied and distributed, but rather view media as a dynamic “application” with extensions via the web. This howl is the future evolution of the media industry. It has arrived from a company that is delivering the goods. Apple has made it painless for consumers to spend money and get the media they want where they want it, proving that consumers are happy to pay for media if delivered in ways that make it easy and blissful to consume. For all the criticism Apple draws on the walled garden nature of its business, it has even come around to stripping DRM and allowing users to download mp3 files.
    Even today if you look in the iTunes App Store you will see a myriad range of “Apps” that are just evolved ways to package media. While the traditional part of iTunes still mirrors the product taxonomy of a Tower Records, the App Store is creating a folksonomy of media products. It is where new ideas evolve, thrive and go instinctively based on market power. The App Store is where the action is. This is where evolution is unfolding as direct consumer spending spurs media development.
    In preparing this post, Erick asked me, “Is Apple is a media company?” I thought about that and the answer is really that Apple is what media companies are missing. The missing part of the puzzle is what made media conglomerates such juggernauts in the past. Namely, distribution. The internet is stripping them of their control over the how their products are distributed. Media companies used to be able to create scarcity merely by delaying the distribution of their products across different channels—theaters, pay-per-view, DVD, cable channels, network TV, and so on. The internet disrupts this ability to create media scarcity. It is such a huge disruption, in fact, that it threatens the fundamental profit engine of the media business.
    Both during my time interacting with senior management at Time Warner (where I worked at AOL after it acquired the company I founded, Relegence) and with some of my current portfolio companies that are working with the film and music industries, it is clear to me that many of the smart people running these media companies understand which way the wind is blowing. The music industry, as the one that has suffered most of the carnage, is ripest for change. Executives there are receptive to new ideas and move forward quickly, leaving me somewhat optimistic. It is also clear to me that it is hard for the industries which have not endured their level of pain to flee the golden cage of media’s past. But for those firms which rise to the occasion, there will be vast rewards. People’s hunger for good content will not subside. It will continue to grow, but so shall the unbearable ease of pirating it. The premise of extending the media experience to the cloud is a core necessity for the survival and growth of the media industry. It is the only way to for media companies to weather the coming tsunami of increased bandwidth and the ever open web. Hybrid media packaging with both files and an application layer in the cloud is core to a lucrative future.
    For a great example of how change is happening see what Britney did today at @BritneySpears. It was, I believe, the first time a major artist premiered a music video on Twitter. This drives people to Amazon or iTunes to buy the track but in the not too distant future it could be the start of much more than that. A complete experience will unfold that will be interactive and convert to new revenue streams. Not just a purchase of a track but of an app that pulls consumers into an experience and further promotes user engagement and virality. Media becomes a platform with a funnel of traffic and conversions to alternative revenue streams. All boosted by the frictionless billing that Apple has created in the App Store. Media executives will have realtime metrics for their success as it maps to revenue and in turn this will accelerate innovation and help redefine media.
    If you are a media exec and you look at your product and at the end of the day it’s a digital file that can be copied, then you have a serious problem with your format. Think of your product like a pie chart of the value you are giving the consumer. If 100% of the value is in that file, it is not a sound approach for defending the future of your business. However, if a portion of the experience is derived thorough an integration with a Web component that will yield additional value in functionality or social elements, then it will be more sustainable. There are many such examples emerging in the app store (I am T-Pain, TapTap and many more). Applications that let consumers interact with the media. Create things and share them with their friends. These will not only make the consumer the one who markets your product, but also create an unprecedented level of engagement. That level of engagement will directly map to reduction in piracy as consumers will pay for this experience and wont be able to copy it. Sell access and experiences, not media files.
    Author Edo Segal